One of the most important tools for a photographer is something that can often be an afterthought in the initial rush of acquiring new gear. Obviously, anyone who aspires to be a photographer needs to consider their camera choice carefully. There are as many reasons to choose a specific camera as there are photographers. And a new DSLR or mirrorless camera is useless without a selection of lenses. And you need a bag to carry your gear. And…And…And…!! Then, finally, the hopeful photographer grabs the cheapest tripod they can find because their credit card is maxed out. That choice could be the default decision that sours them on photography. But it doesn’t have to be that way.
Cheap and flimsy tripods can be found in just about every photographer’s gear closet. And those types of tripods are not always the least expensive option. They really have no benefits (except one that will be addressed in a moment) but they can have some significant downsides. A cheap tripod could wind up being the most expensive option if it fails at the wrong time, allowing your camera and lens to crash to the ground. Broken cameras take no photographs and often are the reason new photographers quit. The only reason to have a poor-quality tripod is to serve as an example of what not to do. Even if you only have the smallest point-and-shoot camera, a steady tripod will make a positive impact on your photography.
A good quality sturdy tripod is a great investment (they don’t often wear out) but they are usually not light weight. The lightest weight tripods are generally made of carbon fiber and they can be very expensive. Most beginning photographers will be well served with aluminum tripods that are rated to support the weight of their camera body and the heaviest lens. Consider planning ahead and buying a tripod rated for the heaviest lens you aspire to own in the future. This may mean that the tripod could be “overbuilt” for current needs but it does give the flexibility for future photographic growth. It really won’t be noticeably heavier, usually just a few extra ounces.
One other tool that can help the photographer overcome “shaky camera syndrome” is the smaller sibling of the tripod – a monopod. Yes, just one leg instead of three. A single shaft monopod can give some choices in a wide variety of photo contexts. For example, one type of photographer that uses a monopod regularly is a sports photographer. Some bird and wildlife photographers also employ a monopod to great advantage. And some public art venues (like cathedrals) do not permit tripods due to the space a tripod needs but a monopod is often allowed. It is much easier to move around and make quick location adjustments when using a monopod. This should usually be a secondary purchase, after your primary sturdy tripod.
A tripod can be one of the most useful pieces of equipment that a photographer can purchase. Most photographers also eventually end up with more than one. It does not need to be incredibly expensive but it cannot be of cheap quality. A DSLR or mirrorless camera with lenses can be a considerable investment. Avoid making it more expensive by buying a good tripod rated to support your camera and lenses. You will be glad you did.